By confronting playful and clinical atmospheres, troublesome and erotic ones, SHIVA questions our capacity to play.

What does remain from our childhood and our desire to play all the time? What does it mean to play nowadays?

What are the limits in a role-playing game and what are our roles now?

The most collected Sottsass' ceramics are often the ones designed during the darkest periods of his life when he was sick or depressed; paradoxically, they are the most spectacular and the most colorful.

The explicit shape of the vase is firstly featured in an unambiguous area.

Then, the rooms and their lights get less equivocal.

SHIVA — 2018

backroom designed in honor of Ettore Sottsass' eponymous vase